Monday, October 31, 2011

500 Miles, Changes and Farts

Here's a nifty little video that was created for the end of producer Russell T Davies' and star David Tennant's run on Doctor Who. And who doesn't like singing, dancing aliens ?



Nice, eh? I think the world needs more of Billie Piper dancing. But that's just me.

***

I have a theory. I think we’re changing all the time, you and I. Even when you think you aren't. Even that hard-headed redneck miscreant who doesn't seemed to have evolved past the Neanderthal stage. He’s changing, too.

Some of the changes are big, and you can feel them happening, like when that guy who comes over and drinks all your beer while you watch football wraps his truck around a tree when he’s loaded, leaving you reeling like the elevator door opened and you almost stepped through into that empty, black abyss. That’s the moment you quit drinking.

Some of the changes are smaller and almost glacier-slow, like the way your political views morph as you spend time with friends and/or a spouse, or the way you start out hating musicals, but you put up with them because they’re important to the woman you’re in love with and, quite unexpectedly, one day you find yourself humming “Seasons of Love” or “Tonight”.

So what’s this all about?

As most of my friends know, 2011 has been a hell of a year. It was so hard on my wife. And, it turns out, it really kicked my ass, too. The experience–the ongoing experience–has changed me both profoundly and in subtle ways.

It’s like I can feel my brain being rewired. Things that once seemed so important to me are now little more than dusty curiosities, while others things, things that were always vital, are now so significant to me that I have trouble find the words to express their importance.

I’m Mark 2.0, with 2.1, etc, not far behind.

But just so you don’t think I’ve changed too much, here’s a video of Peter Griffin farting.


Saturday, October 01, 2011

Ends and Odds





Here’s what’s been going (or hasn’t been going) on:

Writing

Dead Earth: Sanctuary is being revised. Dave Wilbanks and I want this manuscript to sing before we turn it in to the publisher. When I sent it to him, it probably sounded closer to William Shatner than Tony Bennett. I’m sure when it returns to me the pitch will be closer to perfect.

I have begun the second Dead Sheriff book for Evileye Books. It’s a bit difficult to talk about it, since the first book isn’t out yet (and I don’t know the release date), but I can share the opening of #2:

The Indian youth screamed when Arlo Belcher bit into his shoulder and ripped away a mouthful of flesh and muscle and blood.

“Damn it, Arlo, I ain’t even got the fire built yet,” his brother said.


“Cain’t help it, Billy,” Arlo said, around a mouthful of meat. “I was hungry and this here Injun tastes good.”


I have a couple of short stories in various stages of completion, and another novel I will be writing as soon as The Dead Sheriff #2 is finished. As always, my writing schedule and productivity waxes and wanes with the demands of my full-time job and personal life.

Reading

For my birthday, Norma got me a number of books by Jack Kirby and others featuring the work of Kirby and his partner of many years Joe Simon. I’m working my way through these slowly, a story or two at a time, so I may savor the experience for as long as possible.

I’m also reading Killing the Blues by Michael Brandman. Or, more precisely, Robert B. Parker’s Killing the Blues: A Jesse Stone novel by Michael Brandman. This is a continuation of the popular series from the late Parker. Brandman is a writer/producer on the CBS Jesse Stone movies. His style is not very close to Parker’s, and the novel reads in places like a first draft, but I’ll stick with it and see where it goes. Parker’s Spenser series is also being continued by mystery writer Ace Atkins.

Next up in the queue: The Affair by Lee Child and Feast Day of Fools by James Lee Burke.

Pod of Horror

I hope to have another episode up this month. Other than that, I don’t have much to report.

Monday, September 19, 2011

Rainy Days and Mondays, Blah, Blah, Blah

It’s a strange day, even for Monday. I feel melancholy. Maybe it’s the weather–overcast with drizzle.

Also, I seem to be trying to come down with a cold or a bug. They may also be weather-related, but I rather suspect it has something to do with living a stress-filled life for months, with little or no down time.

I seem to once again be buried under commitments, despite an effort about a year ago to try to prevent this very thing from happening again.

In the cold, harsh light of day (well, a day other than this grey one) I realize that some of the things I have agreed to do are things that I no longer have much enthu
siasm for. Another pruning is in order, a scaling back. I have a birthday in a few days and recent events have made me outrageously aware of how fleeting time really is. I spend enough of it engaged in activities that bring me no joy and may be wearing my soul down a silly millimeter at a time.

That has to change. I’ll spend the rest of the year finishing up those things I have promised, then I will make some hard decisions about the sort of projects I want to take on.

(By the way, my wife is doing great. Her health is excellent and her amazing spirit and resilience inspires me every day. Her pumpkin pie ain’t too bad, either.)

Meanwhile, here’s something that makes me happy.


That’s Callie, standing on my bedside table next to a copy of The Losers by Jack Kirby.

I’m going to wrap this up, brush my cats and read for a while. Now that’s a wise use of my time.

Sunday, September 11, 2011

9/11 Again



In 2001 I was doing a morning radio show in Kentucky. In 2011 I still am, though I work in a different city. I was on the radio when the first plane hit the World Trade Center. Like everyone else, at first I thought it was simply a bizarre accident. And, like everyone else, the second plane changed things. Shortly after that, the radio station went to total news coverage and I had a lunch to cancel.

A few day’s earlier, the manager of another radio station (or, rather, his representative) set up the lunch to discuss my interest in simulcasting my radio show on his station.

If you were around then, you remember the confusion, the fear, that we all experienced. Would there be another attack? Were more enemy-controlled jets in the air? Were major cities going to be torched by nukes? Were enemy armies now waiting to invade our country? I heard all of those suggestions, and some more bizarre, in the hours following the morning attacks.

Talking about a silly morning radio show didn’t seem very important that day. I called the other station, and to my surprise, the man who’d approached me still wanted to have lunch. “There’s nothing else we can do,” I was told.

So I went to lunch and had one of the most surreal experiences of my life.

The restaurant was normally a busy place, where one had to wait a few minutes for a table, even at lunch.

There was no wait. There were no other diners, save for the other radio guy, his employee (a friend of mine who had served as the intermediary) and me.

We took a table by the window, which gave us a view of the busiest street in town, a street that should have been bumper-to-bumper at lunchtime on a weekday.

During the hour or so I was there, I saw maybe 10 cars. Every one traveled well below the speed limit, like members of a funeral procession that was spread out across a continent.

The change in the world was disorienting. I had trouble concentrating on what the other radio guy was saying. As soon as I could, I left for home.

My strongest memory of that afternoon and evening was the sadness my wife and I felt. We flipped through the television news channels, trying to find answers, but at that point, most of what was being discussed was pure speculation.

The most chilling thing was the number of channels that went off the air. As we went from channel to channel, many of the non-news cable channels were not broadcasting any programming. In most cases, a title card and the picture of the flag was the only thing on the screen.

Ten years later, some things–like airport security–seemed to have changed in a fairly permanent way, while others–politics, for example–seem to be back to “bidness as usual”, as we say back home.

Nothing ever came of that lunch, except for the memory of that strange day. I was listening to meaningless babble while most everyone else was gathered around a TV in the office, or huddled at home with loved ones, crying or angry or scared. Or, most likely, all three.

Wednesday, September 07, 2011

New Column


My latest Horror World column is up and ready for your eyeballs. You can read it here.

Monday, August 29, 2011

Sunday, August 21, 2011

Waiting on Fall


The other morning as I was crossing the street between the lot where I park and the building I work in, I caught a hint of Autumn on the early morning breeze.

That’s a good thing. It’s been a dark, difficult summer. I’m hoping Fall, a time of the year that has always been good for me, is going to bring better things on all fronts. Good tidings, if you will.

Don’t worry, kids. This isn’t one of those whiney blog posts (okay, it stuck a toe across the Whiney county line, but that's all). It's actually a writing update.

Actual work is getting done, though circumstances have made me less productive than I hoped to be.

Looking at the World With Broken Glass in My Eye is generating good feedback. The publisher has promised that an e-book version is on the horizon. By the way, you can still sign up for a free, signed copy of the book. The winner will be announced on September 1,

Dead Earth: Sanctuary is almost done. We’re running slightly behind schedule (all my fault, believe me) but I suspect The End will be typed by Dave or me sometime this week. Then we start the revisions. We hope to turn in the final manuscript by the end of September.

With any free time (ha!) I might have in September, I will finish up one project and write a story that’s long overdue. On October 1, I will begin writing the second Dead Sheriff book.

By the way, since I mentioned it here last, a couple of new chapters of Donovan Pike and the City of the Gods have been posted at Pulp Nocturne.

I’m also prepping episode 66 of Pod of Horror. The current plan calls for it to go live in mid-September.

I’ll be back with another update soon. As Garrison Keillor says, be well, do good work and keep in touch.

And let Autumn get here soon. I need it.

Sunday, August 07, 2011

Pod of Horror # 65


Pod of Horror is back with nearly two hours of fear-filled fun. On PoH #65, Don D’Auria discusses his move from Leisure to Samhain Publishing. Bestselling thriller writer James Rollins returns to talk about The Devil Colony. Writer and actor Kealan Patrick Burke gets Slimed. And Matthew Warner reveals the inspiration for Blood Born. Jason L. Keene gives the Moonshine Matinee treatment to more fright flicks. Nanci Kalanta has the news (and drops the F-Bomb–and we don’t mean “Fudge”). Tim Curran, James Newman and James A. Moore get reviewed in Scary Words. And we finally have a winner in The Tomb of Trivia. Get it at iTunes or download it here. Pod of Horror is hosted and produced by Mark Justice.

Monday, August 01, 2011

Sunday, July 31, 2011

A Review of Doc Savage: Python Isle


As a fan of pulp magazines, Doc Savage and radio drama, I was the perfect audience for Radio Archives' new series of pulp audiobooks. So when they sent me a copy of Doc Savage: Python Isle, I was prepared to be entertained.

Python Isle was the first Doc Savage novel written by Will Murray, based upon an outline by original Doc scribe Lester Dent (this is all covered in a nice featurette accompanying the audiobook, sort of like the extras on a DVD). As a Doc Savage story, Python Isle is nearly perfect. It contains all the ingredients of the best Doc Savage novels: high adventure, a lost civilization and humorous interplay among Doc’s aides. Radio Archives has produced an unabridged version of the novel that encompasses 8 CDs (well, seven and a half).

The narration is key to any audiobook, and Michael McConnohie does a fine job. He makes each character distinct and individual, and he carries the narrative without sounding too announcer-y, if you’ll excuse the made-up word.

Roger Ritner produced and directed Python Isle. He was involved with the Doc Savage radio series on NPS in the 1980s.

My complaints about the package are minor. Sometimes McConnohie pronounces Python as PY-thun, which was a little distracting.

And the musical cues took a while to grow on me. At first, they struck me as generic cuts from a production library. If they were, then the cuts were more carefully chosen for the second half of the book.

All in all, listening to Python Isle was a very satisfying experience. Radio Archives has already released a second Doc audiobook, as well as that NPR series. And audibooks of other pulp characters are on the way, including The Spider. It’s a great time to be a pulp fan.

Check out the offerings of Radio Archives at their site.

Wednesday, July 27, 2011

The Dead Sheriff Is Covered

Evileye Books has unveiled the cover for the first book in my Dead Sheriff series. Here, take a look:



Pretty nice, eh?
I know I’m happy with it. You can read an essay on the creation of the cover here.

It will be a few months until the book is released, and that’s okay. Evileye has a marketing plan in mind and I trust them in this department.

Meanwhile, in a few weeks I will begin writing the second book in the series. We’ve made a long-term commitment to the Undead Avenger of the West, so you can expect a lot of The Dead Sheriff in the years to come.

You can follow all the news on the project right here or at Evileye Books.

Monday, July 25, 2011

Hey, Kids! Free Fiction

Here's a free story from my collection Looking at the World with Broken Glass in My Eye.


Life's Work

They’re retiring me tonight after 67 years of faithful and uncomplaining service.

Too cruel, they say. Inhumane. There are more pleasant, socially acceptable ways to get the job done. As if a deviant who abducts a child from her home, then tortures and rapes her before ending her life deserves society’s pity or compassion.

I don’t pity. My justice is final and absolute, dispensed like lightning.

I give comfort to the families of the victims. I deliver a message of vengeance, one that tells all who witness it that the punishment does fit the crime.

Or it used to. Now I’m obsolete, politically incorrect, a reminder of simpler times, when choices were more obvious and right was right. But no more. I’ve heard them say I’m the last of my kind in the state. The protesters already gather outside the walls of my chamber, paying for a reprieve that will save a monster from my embrace.

I can pray too, and if there is a god for my kind, my prayer is that I be given this last chance. I need it. I am so close now.

I first achieved sentience in the late 40s, though I suppose I was always aware in a dim and cloudy sort of way. But it was the death of Arnold Reeder that lifted me out of the quagmire of mindlessness.

Reeder had murdered an entire family – father, mother and six children – then had sex with their corpses. All of their corpses.

When he was strapped into me and fed the first jolt of 2400 volts, I stirred. When the second and final jolt was delivered through my electrodes to his head and both ankles, I awoke.

With each death I dispensed, my knowledge and my perceptions grew. Was I receiving consciousness from those I executed? Did their essence, their souls impart strength to me?

I’ve had years to ponder the question and I still have no answer. I’m not a philosopher or theologian or scientist. I am oak, copper wire and leather restraints; efficient at my job.

And tonight I will be decommissioned.

They bring the condemned to me at ten minutes before midnight. His head has been shaved and he stares vacantly at me. While he is strapped against my polished flesh, I can reflect on my last task.

With each electric death delivered, I grew in strength and cunning. I could listen and understand the people around me and, after a time, I learned to extend my senses beyond these walls.

Even as the tide of public opinion turned against my kind, I found the need for my decisive retribution was greater than ever.

The idea came to me three years ago. I was still too weak to accomplish my goal, as I was used with less frequency. If I wanted this to work, I had to be stronger.

Three executions since then had brought me nearly to the zenith of my power. If the Gods of Justice favored me, tonight would be enough.

His name is Danny Black. He was a murderer many times over, though he had only been caught once, when an attempt to rob a market ended in the death of two people. One of them was a pregnant woman. Danny doesn’t regret what he’s done. I can feel his emotions seeping into the whorls of my grain. He’s happy that no one knows about the other deaths he’s caused. He holds those memories close to him like precious gifts and here, in his final moments, he cherishes their sweet bouquet.

When the switch is pushed, the living fire leaps from my electrodes into his body and Danny Black convulses madly.

After one minute the power is turned off. Ten seconds pass, and a second jolt is delivered. It’s unnecessary. After the first dose, I felt his life flee from his body, passing through me and hopefully leaving behind just enough to do what needs to be done.

The doctor doesn’t approach until my failsafe switch is thrown, the Energized light goes off, and my two power switches are turned off by key.

The doctor places a stethoscope to the chest of Danny Black and listens to nothing.

Randall Kirtner has been a physician for thirty-two years. He’s gone through three wives, a fortune and half the booze in the state. He’s marking time. He’s a ship without a rudder. He no longer has a purpose.

As he leans forward, he places his left hand on my arm.

All my planning, all my prayers have come to this.

I jump.

The doctor stumbles back, nearly falling. He gasps in surprise. He only fights me for a moment and then I shove him down deep into a place where he can do no harm.

I look around the room and take my first tentative steps.

I turn back to Danny Black, and, for the first time, I see me. I am solid, strong. For 67 years I cleansed the world of its worst elements.

Now they can carry me to the basement. I’ve outgrown that body.

I allow the doctor to rise up long enough to sign the death certificate and to shake hands with the warden.

I am escorted out four gates until, finally, I step into the world.

Nothing I’ve heard can prepare me for the beauty of this earth. I am momentarily overcome as tears roll down my face.

This only reinforces my dedication. This is too precious a place to allow the Danny Blacks and the Arnold Reeders to infect it.

My old body may have been retired, but my mission continues. The old doctor lacked a reason to live and I have given it to him.

I walk to his car and briefly set him free so he may teach me how to drive.

Then we must be going.

There is much work to be done.

-End-

If you enjoyed the story, you can order the book here or here.

Thursday, July 21, 2011

The Cult of the Walking Download



The Secret Agent X story I wrote a few years ago is now available as a download to your cell phone or tablet. iPulp Fiction has a wide variety of classic and new pulp stories on their site, and you can download my “The Cult of the Walking Dead” for one dollar. That’s over fifteen thousand words of blazing gunfights, ninja assassins, and great pulpish fun for a mere four quarters.

You can download the story here, after you register for free.

Saturday, July 16, 2011

Dead Earth News and More

It’s official. The next Dead Earth novel will be called Dead Earth: Sanctuary. Permuted Press will again be the publisher. I’ll announce the publication date when it’s locked down. I would expect it to be Spring 2012.

Meanwhile, Dead Earth: The Vengeance Road is still available in paperback and ebook formats. Thanks for all the nice reviews.

Speaking of reviews, I could use them at Amazon for Looking at the World With Broken Glass in My Eye. If you read the collection, please consider leaving a review.

You can still sign up for a free, signed copy of the book at Horror World.

The other big news (well, big for me) is the arrival on my doorstep of In Laymon’s Terms. The anthology, a tribute to the great horror writer Richard Laymon, includes my story “The Red Kingdom”. It was my first professional sale, made all the way back in February 2003. It’s nice to see it finally in print.



And for those who care about such things, I'm now on Google+.

Wednesday, July 13, 2011

Looking at Me



I'm profiled in this week's edition of The Ashland Beacon, a local weekly paper. Although the focus is mostly on my radio career, the article touches on my writing. You can read it online here.

And thanks to Tanya Pullin, our amazing State Representative, who managed to sneak a mention of Deadneck Hootenanny into today's Ashland Daily Independent.

Friday, July 08, 2011

Looking At A Free Book


Horror World, my home away from home, is giving away a signed copy of my new collection Looking at the World With Broken Glass in My Eye.

To enter the drawing, sign up here.

I'll be happy to inscribe the book to the winner.

Thursday, July 07, 2011

Joke of the Week


A frog telephones the Psychic Hotline and is told, "You are going to meet a beautiful young girl who will want to know everything about you."

The frog says, "This is great! Will I meet her at a party, or what?"

"No," says the psychic. "Next semester in her biology class."

Wednesday, July 06, 2011

Review: The Devil Colony


The Devil Colony by James Rollins
William Morrow
496 pages

The Devil Colony brings back Sigma Force, James Rollins’s cadre of government superspies, all ex-special forces trained in a scientific discipline then given guns and sent out to battle the bad guys. And in Sigma’s world, there are no shortage of evildoers. The Sigma thrillers are modern pulp writing at its finest (Rollins has confessed to being a fan of the Doc Savage novels) and I’m happy to report that the latest novel in the series maintains that tradition.

From the novel’s 18th Century prologue in Kentucky to it’s fiery climax in a well-known state park, The Devil Colony is the most American of the Sigma adventures.

When an archeological site is disturbed in the Rocky Mountains, an uproar is ignited, both literally and figuratively. In a cavern filled with mummified bodies that appear to be Caucasian Indians, a cache of gold plates is discovered, each inscribed with mysterious writing. The cavern also holds a mystery substance, which may turn out to be the most destructive element on earth.

Sigma director Painter Crowe is called in to investigate, thanks to a very personal connection to the events in the Rockies. Crowe takes the stage early and holds on to it, playing the lead role normally assigned to Sigma Operative Gray Pierce. Rollins lets the reader get to know Crowe more than in earlier books, as he explores Crowe’s Native American background in depth. Plus, we get to see Crowe as a man of action, a nice change of pace.

Fans of Commander Peirce shouldn’t fret. He and his best friend Monk (nice name for a pulp hero, eh?) see their fair share of conflict and flying lead. In addition, both characters go through dramatic changes in their personal lives. It’s a decent bit of character development that elevates the Sigma books above some of the other pulp thrillers out there.

Rollins always combines real history with real science. In The Devil Colony, it’s the founding of this nation that propels the narrative, particularly the secrets of the founding fathers. The scientific MacGuffin is nanotechnology, unregulated and unchecked, and far older than I would have dreamed possible.

Sigma’s arch nemesis The Guild is back, and in this installment we learn a little more about how far the evil organization’s tendrils extend, culminating in a revelation that will have fans waiting impatiently for the next book in the series.

As always, Rollins supplies an appendix outlining what concepts are real and what were created for the book. And, as always, I’m dumbfounded to discover that certain things that I was certain had been made up by the author are actually true.

Ultimately, though, a thriller lives or dies based upon how well the author delivers the, well, thrills. Rollins once again proves his page-turning prowess. With more cliffhangers than a Saturday morning serial,
The Devil Colony is served up to the reader as an electrifying mash-up of Die Hard and The History Channel, in a story that would fit right in among the Indiana Jones and National Treasure series.

Highly recommended to all fans of adventure fiction.

Monday, July 04, 2011

Happy Fourth of July


Happy Independence Day. It’s one of my favorite holidays, in part because of my annual re-reading of Captain America’s Bicentennial Battles.

This tabloid-sized comic came out, of course, in the summer of 1976, just in time to keep me from losing my mind during a particularly unenjoyable family vacation. Our family always took two vacations each summer. The first was a beach trip, which I loved. The second was a fishing vacation. By the time I was sixteen, the last thing I wanted to do was spend a week with a bunch of grouchy relatives on a lake with little in the way of distraction or entertainment.

I had purchased the Captain America book on the way to Tennessee. Buying it was a no-brainer. Jack Kirby had been my favorite comic book artist for years. If fact he drew (and likely plotted) the first comic book I ever owned–
Fantastic Four #39. A few years later, he took his talents to DC where he created an epic cosmic saga of gods and humans that unfolded across four titles: Forever People, The New Gods, Mister Miracle and Jimmy Olsen. Within a couple of years, three of the books were canceled and Kirby turned to other work, some original (OMAC, The Demon) and some not (The Losers). By 1976 he was back at Marvel, writing and drawing Cap, Black Panther, Devil Dinosaur, The Eternals and 2001: A Space Odyssey.

By the time of the family vacation I was well-acquainted with Kirby’s bombastic dialogue and extreme fondness for the exclamation point. He was like a composer whose musical style was unique and instantly recognizable. No one wrote like Kirby. In fact, some critics argued that no one, not even Kirby, should write like Kirby.

Anyway,
Captain America’s Bicentennial Battles sent the star-spangled avenger on a journey through American history, with each chapter embellished by a different inker.

It was a spectacular story with a breathtaking scope. At 16, I was already evolving into the cynical adult I would soon become, yet Kirby’s story made me proud of my country, even in those wary post-Watergate days. It was a little piece of magic.

My original copy fell apart years ago and I replaced it (Yes, I also bought Marvel’s reprint a few years ago, but the tabloid version is still the one I take down and read each summer).

So I’ll enjoy the cookout and the fireworks and my family today. But sometime before the day ends I’ll relive the best part of the summer of 1976 with my shield-slinging hero.

I hope you have a great Fourth of July.